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Showing 41-60 of about 216 results.
Cross-Colonial Cooperation in Nineteenth-Century Java: Examining the Sepoy Conspiracy of 1815 in a World History ContextNo. 6Midwest World History Association
Sowry, Nathan. 2013. "Cross-Colonial Cooperation in Nineteenth-Century Java: Examining the Sepoy Conspiracy of 1815 in a World History Context." The Middle Ground Journal, (6).
Monster in the Earth for Volume 24: Museum Education and the Cultural Heritage in Threatened Countries: Risks, prevention and support of populationv. 24International Council of Museums14–20
Stokes, Deborah. 2013. "Monster in the Earth for Volume 24: Museum Education and the Cultural Heritage in Threatened Countries: Risks, prevention and support of population." ICOM Education, 24 14–20.
Representing Africa in American Art Museumsv. 36No. 1
Stokes, Deborah. 2013. "Representing Africa in American Art Museums." Museum Anthropology, 36, (1).
Lines, Marks, and Drawings: Through the Lens of Roger BallenSmithsonian National Museum of African Art in association with DelMonico Books-Prestel127
Subler, Craig Allen, Kreamer, Christine Mullen, Young, Robert J. C., and Ballen, Roger. 2013. Lines, Marks, and Drawings: Through the Lens of Roger Ballen. Washington, DC: Smithsonian National Museum of African Art in association with DelMonico Books-Prestel.
Implementing a Social Justice Framework in an Introduction to Archives Course: Lessons from Both Sides of the Classroomv. 8No. 2University of California
Caswell, Michelle, Sowry, Nathan, Broman, Giso, Kirmer, Jennifer, and Martin, Laura. 2012. "Implementing a Social Justice Framework in an Introduction to Archives Course: Lessons from Both Sides of the Classroom." InterActions: UCLA Journal of Education and Information Studies, 8, (2).
African Cosmos: Stellar ArtsSmithsonian National Museum of African Art; The Monacelli Press368
Kreamer, Christine Mullen. 2012. African Cosmos: Stellar Arts. Washington, DC; New York, NY: Smithsonian National Museum of African Art; The Monacelli Press.
Framing Practices: Artists Voices and the Power of Self-RepresentationIndiana University Press146–162
Kreamer, Christine Mullen. 2012. "Framing Practices: Artists Voices and the Power of Self-Representation." In African Art, Interviews, Narratives. Grabski, Joanna and Magee, C., editors. 146–162. Bloomington and Indianapolis: Indiana University Press.
Moonlight and Clapping Hands: Performing the Lozi CosmosMonacelli Press283–300
Milbourne, Karen E. 2012. "Moonlight and Clapping Hands: Performing the Lozi Cosmos." In African Cosmos: Stellar Arts. Kreamer, Christine Mullen, editor. 283–300. New york: Monacelli Press.
Contemporary African art and the Museum: A roundtablev. 3146–111
Okeke, Chika Okeke, Milbourne, Karen E., Clark, Christa, Berns, Marla, Schildkrout, Enid, Farrel, Laurie Anne, and spring, Chris. 2012. "Contemporary African art and the Museum: A roundtable." NKA: Journal of Contemporary African Art, 31 46–111.
Silence, Accessibility, and Reading Against the Grain: Examining Voices of the Marginalized in the India Office Recordsv. 8No. 2University of California
Sowry, Nathan. 2012. "Silence, Accessibility, and Reading Against the Grain: Examining Voices of the Marginalized in the India Office Records." InterActions: UCLA Journal of Education and and Information Studies, 8, (2).
The African Art Gallery, The Art Institute of Chicago, Permanent CollectionDOI: info:10.1162/AFAR_r_00013v. 45No. 3The James S. Coleman African Studies Center UCLA International Institute84–86
Stokes, Deborah. 2012. "The African Art Gallery, The Art Institute of Chicago, Permanent Collection." African Arts, 45, (3) 84–86. https://doi.org/10.1162/AFAR_r_00013.
The African Art Gallery The Art Institute of Chicago Chicago Permanent installationDOI: info:10.1162/AFAR_r_00013v. 45No. 3MIT Press84–86
Stokes, Deborah. 2012. "The African Art Gallery The Art Institute of Chicago Chicago Permanent installation." African Arts, 45, (3) 84–86. https://doi.org/10.1162/AFAR_r_00013.
The Cincinnati Art Museum's Steckelman Collection: Late 19th Century Collecting and Patronage along the Loango CoastUniversity of Washington Press20–43
Kreamer, Christine Mullen. 2011. "The Cincinnati Art Museum's Steckelman Collection: Late 19th Century Collecting and Patronage along the Loango Coast." In Representing Africa in American Art Museums: A Century of Collecting and Display. Berzock, Kathleen Bickford and Clarke, Christa, editors. 20–43. Seattle: University of Washington Press.
Impermanent by Design: The Ephemeral in Africa's Tradition-based ArtsDOI: info:10.1162/afar.2010.43.1.14v. 43No. 1MIT Press Journals14–27
Kreamer, Christine Mullen. 2011. "Impermanent by Design: The Ephemeral in Africa's Tradition-based Arts." African Arts, 43, (1) 14–27. https://doi.org/10.1162/afar.2010.43.1.14.
Building a National Collection of African Art: The Life History of a MuseumUniversity of Washington Press265–288
Kreamer, Christine Mullen, Binkley, David A., Freyer, Bryna M., Nicolls, Andrea, and Purpura, Allyson. 2011. "Building a National Collection of African Art: The Life History of a Museum." In Representing Africa in American Art Museums: A Century of Collecting and Display. Berzock, Kathleen Bickford and Clarke, Christa, editors. 265–288. Seattle: University of Washington Press.
Seduction's Shadows and the "Terrible Beauty" of Recent Works by Yinka Shonibare MBEComunidad de Madrid26–43
Milbourne, Karen E. 2011. "Seduction's Shadows and the "Terrible Beauty" of Recent Works by Yinka Shonibare MBE." In Yinka Shonibare MBE: El futuro del pasado. Zaya, Octavio, editor. 26–43. Madrid: Comunidad de Madrid.
Artists in Dialogue 2: Sandile Zulu and Henrique OliveiraNational Museum of African Art71
Milbourne, Karen E. 2011. Artists in Dialogue 2: Sandile Zulu and Henrique Oliveira [Exhibition catalog] Washington DC: National Museum of African Art.
Artists in Dialogue 2: Sandile Zulu and Henrique Oliveira
Milbourne, Karen E (Curator). 2011. "Artists in Dialogue 2: Sandile Zulu and Henrique Oliveira." Washington DC: National Museum of African Art, 2011-02-11 to 2012-01-08..
Bruce Onobrakpeya and the Harmattan Workshop: artistic experimention in the Niger DeltaDOI: info:10.1162/afar.2011.44.4.22v. 44No. 422–35
Stanley, Janet L. 2011. "Bruce Onobrakpeya and the Harmattan Workshop: artistic experimention in the Niger Delta." African arts, 44, (4) 22–35. https://doi.org/10.1162/afar.2011.44.4.22.
Bajorek, Jennifer and Haney, Erin. 2010. "Eye on Bamako." Theory, Culture & Society, 27, (7-8) 263–284. https://doi.org/10.1177/0263276410383718.