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Correction to: Harden up: metal acquisition in the weaponized ovipositors of aculeate hymenopteraDOI: info:10.1007/s00435-018-0413-zSpringer Nature1–2
Baumann, Kate, Vicenzi, Edward P., Lam, Thomas, Douglas, Janet, Arbuckle, Kevin, Cribb, Bronwen, Brady, Seán G., and Fry, Bryan G. 2018. "Correction to: Harden up: metal acquisition in the weaponized ovipositors of aculeate hymenoptera." Zoomorphology, 1–2. https://doi.org/10.1007/s00435-018-0413-z.
Harden up: metal acquisition in the weaponized ovipositors of aculeate hymenopteraDOI: info:10.1007/s00435-018-0403-1No. 137Springer Nature389–406
Baumann, Kate, Vicenzi, Edward P., Lam, Thomas, Douglas, Janet, Arbuckle, Kevin, Cribb, Bronwen, Brady, Seán G., and Fry, Bryan G. 2018. "Harden up: metal acquisition in the weaponized ovipositors of aculeate hymenoptera." Zoomorphology, (137) 389–406. https://doi.org/10.1007/s00435-018-0403-1.
Materials characterization of the Ruby Slippers from the 1939 classic film, The Wizard of OzDOI: info:10.1186/s40494-018-0214-1v. 6No. 1
Douglas, Janet G., Kavich, Gwénaëlle, Mori, Chika, Wallace, Dawn, and Barden, Richard. 2018. "Materials characterization of the Ruby Slippers from the 1939 classic film, The Wizard of Oz." Heritage Science, 6, (1). https://doi.org/10.1186/s40494-018-0214-1.
Carving at the Capital: A stone workshop at Hariharalaya, AngkorDOI: info:10.5479/data_mci/10088/31942Smithsonian Institution Museum Conservation Institute
Polkinghorne, Martin, Douglas, Janet G., and Caro, Federico. 2017. [Dataset] Carving at the Capital: A stone workshop at Hariharalaya, Angkor. Distributed by Suitland, Maryland: Smithsonian Institution Museum Conservation Institute. https://doi.org/10.5479/data_mci/10088/31942.
Painted plaster and glazed brick fragments from Achaemenid Pasargadae and Persepolis, IranDOI: info:10.1186/s40494-016-0072-7v. 4No. 3Springer1–10
Aloiz, Emily, Douglas, Janet G., and Nagel, Alexander. 2016. "Painted plaster and glazed brick fragments from Achaemenid Pasargadae and Persepolis, Iran." Heritage Science, 4, (3) 1–10. https://doi.org/10.1186/s40494-016-0072-7.
Shining a Light on Jades at the Freer/Sackler
In Sync: Ancient Chinese bronze bells at the Smithsonian
Douglas, Janet G. and Wilson, Keith. 2016. In Sync: Ancient Chinese bronze bells at the Smithsonian.
Investigation of Urban Rock Varnish on the Sandstone of the Smithsonian CastleUniversitu of the West of Scotland399–406
Livingston, R. A., Grissom, Carol A., Vicenzi, E. P., Weldon-Yochim, Z., Little, N. C., Douglas, J. G., Fowler, A. J., Santelli, C. M., Macholdt, D. S., Ortiz-Montalvo, D., and Watson, S. S. 2016. "Investigation of Urban Rock Varnish on the Sandstone of the Smithsonian Castle." In Science and Art: A Future for Stone: Proceedings of the 3th International Congress on the Deterioration and Conservation of Stone, Volume 1. Hughes, John and Howind, Torsten, editors. 399–406. Paisley: Universitu of the West of Scotland.
Carving at the Capital: A stone workshop at Hariharālaya, AngkorDOI: info:10.3406/befeo.2015.6209v. 10155–90
Polkinghorne, Martin, Douglas, Janet G., and Caro, Federico. 2015. "Carving at the Capital: A stone workshop at Hariharālaya, Angkor." Bulletin de l’École française d’Extrême-Orient (BEFEO), 101 55–90. https://doi.org/10.3406/befeo.2015.6209.
Stone materials used for lintels and decorative elements of Khmer templesv. 251–68
Caro, F., Douglas, Janet G., and Polkinghorne, M. 2014. "Stone materials used for lintels and decorative elements of Khmer temples." Metropolitan Museum Studies in Art, Science, and Technology, 2 51–68.
Stone Types and Sculptural Practices in Pre-Angkorian Southeast AsiaMetropolitan Museum of Art;Yale University Press264–266
Carò, Federico and Douglas, Janet G. 2014. "Stone Types and Sculptural Practices in Pre-Angkorian Southeast Asia." In Lost Kingdoms: Hindu-Buddhist sculpture of early Southeast Asia. Guy, John, editor. 264–266. New York;New Haven: Metropolitan Museum of Art;Yale University Press.
Petrography of stone used for sculpture from the Buddhist cave temples of Xiangtangshan dating to the Northern Qi dynastyv. 293–114
Douglas, Janet G. and Haynes, John T. 2014. "Petrography of stone used for sculpture from the Buddhist cave temples of Xiangtangshan dating to the Northern Qi dynasty." Metropolitan Museum Studies in Art, Science, and Technology, 2 93–114.
Scientific Research on Ancient Asian Metallurgy Proceedings of the Fifth Forbes Symposium at the Freer Gallery of ArtDOI: info:10.5479/sil.986959.39088016753477Archetype Publications in association with the Freer Gallery of Art, Smithsonian Institution254
Jett, Paul, McCarthy, Blythe, and Douglas, Janet G., editors. 2012. Scientific Research on Ancient Asian Metallurgy Proceedings of the Fifth Forbes Symposium at the Freer Gallery of Art. London, England: Archetype Publications in association with the Freer Gallery of Art, Smithsonian Institution. https://doi.org/10.5479/sil.986959.39088016753477.
Nature and provenance of the sandstone used for Bayon style sculptures produced during the reign of Jayavarman VIIDOI: info:10.1016/j.jas.2012.06.043v. 40No. 1Elsevier723–734
Carò, Federico and Douglas, Janet G. 2012. "Nature and provenance of the sandstone used for Bayon style sculptures produced during the reign of Jayavarman VII." Journal of Archaeological Science, 40, (1) 723–734. https://doi.org/10.1016/j.jas.2012.06.043.
An Enlightened Journey: Transitions in Casting of Chinese Buddhist ImagesArchetype Publications in association with the Freer Gallery of Art, Smithsonian Institution73–82
Strahan, Donna. 2012. "An Enlightened Journey: Transitions in Casting of Chinese Buddhist Images." from Scientific Research on Ancient Asian Metallurgy: Proceedings of the fifth Forbes Symposium at the Freer Gallery of Art. 73–82. London: Archetype Publications in association with the Freer Gallery of Art, Smithsonian Institution.
Reconsidering the configuration of a jade and gold assemblage from Jincun: A technical studyv. 41No. 5Arts of Asia117–121
Douglas, Janet G. 2011. "Reconsidering the configuration of a jade and gold assemblage from Jincun: A technical study." Arts of Asia, 41, (5) 117–121.
Towards a Quantitative Petrographic Database of Khmer Stone Materials-koh Ker Style SculptureDOI: info:10.1111/j.1475-4754.2009.00475.xv. 52No. 2Published by Blackwell for the University of Oxford191–208
Carò, F., Douglas, Janet G., and Im, S. 2010. "Towards a Quantitative Petrographic Database of Khmer Stone Materials-koh Ker Style Sculpture." Archaeometry, 52, (2) 191–208. https://doi.org/10.1111/j.1475-4754.2009.00475.x.
Petrographic characterization of sandstones from ancient Khmer sculpture at the National Museum of Cambodia, Phnom PenhNational University of Singapore Press357–366
Douglas, Janet G. 2008. "Petrographic characterization of sandstones from ancient Khmer sculpture at the National Museum of Cambodia, Phnom Penh." In Interpreting Southeast Asia's Past: Monument, Image and Text Petrographic characterization of sandstones from ancient Khmer sculpture. Bacus, Elisabeth A., Glover, Ian C., and Sharrock, Peter D., editors. 357–366. Singapore: National University of Singapore Press.
Mineralogical Characteristics of Khmer stone sculpture in the Bayon StyleFreer Gallery of Art115–124
Douglas, Janet G. and Sorensen, Sorena S. 2008. "Mineralogical Characteristics of Khmer stone sculpture in the Bayon Style." In Scientific research on the sculptural arts of Asia: Proceedings of the 3rd Forbes Symposium at the Freer Gallery of Art.. 115–124. Washington DC: Freer Gallery of Art.
Materials and technology of Chinese jades dating to the Western Zhou period (1050-771 BCE)DOI: info:10.1007/s11431-008-0036-6v. 51No. 4467–480
Douglas, Janet G. and Yang, J.,C. 2008. "Materials and technology of Chinese jades dating to the Western Zhou period (1050-771 BCE)." Science in China Series E: Technological Sciences, 51, (4) 467–480. https://doi.org/10.1007/s11431-008-0036-6.
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Type: blog
Keywords: MCI