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Showing 221-240 of about 269 results.
The Theory of Direct Carving in Modern Sculpturev. 4No. 244–49
Zilczer, Judith. 1981. "The Theory of Direct Carving in Modern Sculpture." Oxford Art Journal, 4, (2) 44–49.
Chardin91–96
Millard, Charles. 1980. "Chardin." Hudson Review, 91–96.
Louis DesprezLos Angeles County Museum of Art235
Millard, Charles. 1980. "Louis Desprez." In The Romantics to Rodin. Fusco, Peter and Janson, Horst Woldemar, editors. 235. Los Angeles, Calif.: Los Angeles County Museum of Art.
Antoine-Augustin PréaultLos Angeles County Museum of Art323
Millard, Charles. 1980. "Antoine-Augustin Préault." In The Romantics to Rodin. 323. Los Angeles, Calif.: Los Angeles County Museum of Art.
Raymond Duchamp-Villon: Pioneer of Modern Sculpturev. 76No. 3301–24
Zilczer, Judith. 1980. "Raymond Duchamp-Villon: Pioneer of Modern Sculpture." Philadelphia Museum of Art Bulletin, 76, (330) 1–24.
The Thorny Issues of Temporary Artv. 57American Association of Museums42–50
Fox, Howard N. 1979. "The Thorny Issues of Temporary Art." Museum News, 57 42–50.
Clarity and Ambiguity: The Drawings of Robert Longo
Fox, Howard N. 1979. "Clarity and Ambiguity: The Drawings of Robert Longo." Sun & Moon: A Journal of Literature and Art,
The Human Landscape: Subjective Symbolism in Oscar Bluemner's PaintingDOI: info:10.1086/aaa.19.3.1557260v. 19No. 39–14
Gettings, Frank. 1979. "The Human Landscape: Subjective Symbolism in Oscar Bluemner's Painting." Archives of American Art Journal, 19, (3) 9–14. https://doi.org/10.1086/aaa.19.3.1557260.
A View of Sculptors in the Hirshhorn Museum CollectionHirshhorn Museum and Sculpture Garden and Smithsonian Institution Traveling Exhibition Service9
McCabe, Cynthia Jaffee. 1979. "A View of Sculptors in the Hirshhorn Museum Collection." In Twentieth Century Sculptors and Their Drawings: Selections from the Hirshhorn Museum and Sculpture Garden. Kraft, Barbara S., editor. 9. Washington, D.C.: Hirshhorn Museum and Sculpture Garden and Smithsonian Institution Traveling Exhibition Service.
Baziotes and Rothkov. 32No. 2245–251
Millard, Charles. 1979. "Baziotes and Rothko." Hudson Review, 32, (2) 245–251.
Problems and Resources in Thomas Eakins Research: The Hirshhorn Museum's Samuel Murray Collection118–120
Rosenzweig, Phyllis. 1979. "Problems and Resources in Thomas Eakins Research: The Hirshhorn Museum's Samuel Murray Collection." Arts, 118–120.
The 'Moral Right' Comes to California88–94
Weil, Stephen E. 1979. "The 'Moral Right' Comes to California." Art News, 88–94.
Vincible Ignorance: Museums and the Lawv. 58No. 1American Association of Museums31–36
Weil, Stephen E. 1979. "Vincible Ignorance: Museums and the Law." Museum News, 58, (1) 31–36.
Oscar Bluemner's Expressionist Landscape Drawingsv. 1No. 473–76
Zilczer, Judith. 1979. "Oscar Bluemner's Expressionist Landscape Drawings." Drawing, 1, (4) 73–76.
The Dispersal of the John Quinn Collectionv. 19No. 315–21
Zilczer, Judith. 1979. "The Dispersal of the John Quinn Collection." Archives of American Art Journal, 19, (3) 15–21.
Anti-Realism in the Ashcan Schoolv. 1744–49
Zilczer, Judith. 1979. "Anti-Realism in the Ashcan School." Artforum, 17 44–49.
[} Review of by Theodore Reffv. 60No. 3College Art Association of America565–568
Millard, Charles. 1978. [Book review] "[} Review of The Notebooks of Edgar Degas by Theodore Reff." The Art Bulletin, 60, (3), 565–568.
American Style and Qualityv. 31No. 1163–169
Millard, Charles W. 1978. "American Style and Quality." Hudson Review, 31, (1) 163–169.
The Matisse Cut-Outsv. 31No. 2320–327
Millard, Charles W. 1978. "The Matisse Cut-Outs." Hudson Review, 31, (2) 320–327.
Resale Royalties: Nobody BenefitsNo. 7758–62
Weil, Stephen E. 1978. "Resale Royalties: Nobody Benefits." Art News, (77) 58–62.