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Showing 701-720 of about 825 results.
A Rob Barnard Teapotv. 13No. 1012–83
Cort, Louise A. 1983. "A Rob Barnard Teapot." Ceramics Monthly, 13, (10) 12–83.
Charles Lang Freer and American Artv. 118No. 258169–179
Curry, David Park. 1983. "Charles Lang Freer and American Art." Apollo, 118, (258) 169–179.
An Early Man-Made Blue Pigment from China-Barium Copper Silicatev. 28No. 1International Institute for Conservation of Historic and Artistic Works15–23
FitzHugh, Elisabeth West and Zycherman, Lynda A. 1983. "An Early Man-Made Blue Pigment from China-Barium Copper Silicate." Studies in Conservation, 28, (1) 15–23.
Freer Gallery of ArtDOI: info:10.5479/sil.546581.39088017852807Freer Gallery of Art ; Smithsonian Institution Press31
Freer Gallery of Art. 1983. Freer Gallery of Art. Washington, DC: Freer Gallery of Art ; Smithsonian Institution Press. https://doi.org/10.5479/sil.546581.39088017852807.
Chang Chi-chih and His Medium-Sized Standard Script, Part IINo. 211–26
Fu, Shen C. Y. 1983. "Chang Chi-chih and His Medium-Sized Standard Script, Part II." National Palace Museum Quarterly, (2) 11–26.
China's Artistic Legacyv. 118No. 258127–135
Lawton, Thomas. 1983. "China's Artistic Legacy." Apollo, 118, (258) 127–135.
The Gold Treasurev. 118No. 258180–182
Lawton, Thomas. 1983. "The Gold Treasure." Apollo, 118, (258) 180–182.
John Alexander Pope (1906-1982)v. 36Asia Society89–91
Lawton, Thomas. 1983. "John Alexander Pope (1906-1982)." Archives of Asian Art, 36 89–91.
An Individual Taste for Japanese Paintingv. 118No. 258136–149
Shimizu, Yoshiaki. 1983. "An Individual Taste for Japanese Painting." Apollo, 118, (258) 136–149.
The Characterization of Pigments Based on Carbonv. 28No. 2International Institute for Conservation of Historic and Artistic Works49–66
Winter, John. 1983. "The Characterization of Pigments Based on Carbon." Studies in Conservation, 28, (2) 49–66.
Korean Art in the Freer Gallery of Artv. 4No. 24–15
Yonemura, Ann. 1983. "Korean Art in the Freer Gallery of Art." Korean Culture, 4, (2) 4–15.
[Review] v. 38No. 4474–477
Yonemura, Ann. 1983. "[Review] Japanese Lacquer Art: Modern Masterpieces." Monumenta Nipponica, 38, (4) 474–477.
A Pioneer Collection of Korean Artv. 118No. 258150–153
Yonemura, Ann. 1983. "A Pioneer Collection of Korean Art." Apollo, 118, (258) 150–153.
Gen'ya's Devil BucketNo. 3031–40
Cort, Louise A. 1982. "Gen'ya's Devil Bucket." Chanoyu Quarterly, (30) 31–40.
The Grand Kitano Tea GatheringNo. 3115–44
Cort, Louise A. 1982. "The Grand Kitano Tea Gathering." Chanoyu Quarterly, (31) 15–44.
Looking at White Dewv. 10No. 245–51
Cort, Louise A. 1982. "Looking at White Dew." Studio Potter, 10, (2) 45–51.
[Review] v. 13Pacific Magazines Hong Kong51–53
Cort, Louise A. 1982. "[Review] Shino and Oribe Kiln Sites." Orientations, 13 51–53.
Chinese Art of the Warring States Period: Change and Continuity, 480–222 B.C.; [Exhibition catalogue]DOI: info:10.5479/sil.178150.39088016516700Freer Gallery of Art
Lawton, Thomas. 1982. Chinese Art of the Warring States Period: Change and Continuity, 480–222 B.C.; [Exhibition catalogue]. Washington, D.C.: Freer Gallery of Art. https://doi.org/10.5479/sil.178150.39088016516700.
Representations of Hariti, the Mother of Demons, and the Theme of 'Raising the Alms- bowl' in Chinese PaintingNo. 3253–284
Murray, Julia K. 1982. "Representations of Hariti, the Mother of Demons, and the Theme of 'Raising the Alms- bowl' in Chinese Painting." Artibus Asiae, XLIII, (3) 253–284.
Some Elementary Problems of the Japanese Narrative, v. 129–41
Shimizu, Yoshiaki. 1982. "Some Elementary Problems of the Japanese Narrative, Hiko-hoho-demi no Mikoto." Studia Artium Orientalis et Occidentalis, 1 29–41.