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Showing 21-40 of about 216 results.
African Art and the AnthropoceneSmithsonian Institution Scholarly Press113–116
Milbourne, Karen E. 2017. "African Art and the Anthropocene." In Living in the Anthropocene: Earth in the Age of Humans. Kress, W. John and Stine, Jeffrey K., editors. 113–116. Washington, DC: Smithsonian Institution Scholarly Press.
Where One Thing Stands Another Will Stand Beside ItDOI: info:10.1353/mar.2016.0008v. 57No. 1Massachusetts Review, Inc.28–32
Cole, Johnnetta Betsch. 2016. "Where One Thing Stands Another Will Stand Beside It." The Massachusetts Review, 57, (1) 28–32. https://doi.org/10.1353/mar.2016.0008.
Altered surfaces, taking the long view: Applications of ethnographic conservation practices to the conservation of contemporary artDOI: info:10.1080/00393630.2016.1190906v. 61Taylor & Francis84–90
Hornbeck, Stephanie E. and Moffett, Dana L. 2016. "Altered surfaces, taking the long view: Applications of ethnographic conservation practices to the conservation of contemporary art." Studies in Conservation, 61, (Supplement 2) 84–90. https://doi.org/10.1080/00393630.2016.1190906.
Emeka Ogboh Market Symphony
Milbourne, Karen E (Curator). 2016. "Emeka Ogboh Market Symphony." Washington, DC: Smithsonian National Museum of African Art, 2016-02-03 to 2017-04-09..
Primer on artists' booksNational Museum of African Art ; & Smithsonian Libraries16
Stanley, Janet L., Jenke, Veronika, Grove, Migs, Foran, Colleen, and Vann, Lisa. 2016. Primer on artists' books. Washington, D.C: National Museum of African Art ; & Smithsonian Libraries.
Africa Access Reviews
Stokes, Deborah. 2015. Africa Access Reviews.
William Siegmann, Advocate for ConnoisseurshipMinneapolis Institute of Arts120–131
Kreamer, Christine Mullen. 2014. "William Siegmann, Advocate for Connoisseurship." In Visions from the Forests: The Art of Liberia and Sierra Leone. Grootaers, Jan-Lodewijk and Bortolot, Alexander, editors. 120–131. Minneapolis: Minneapolis Institute of Arts.
Conversations: African and African American Artworks in Dialogue From the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby Jr.Smithsonian National Museum of African Art258
Kreamer, Christine Mullen and Childs, Adrienne L. 2014. Conversations: African and African American Artworks in Dialogue From the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby Jr. Kreamer, Christine Mullen and Childs, Adrienne L., editors. Washington, DC: Smithsonian National Museum of African Art.
African Photography and the Look of (un)Sustainability in the African Landscapev. 61No. 1115–140
Milbourne, Karen E. 2014. "African Photography and the Look of (un)Sustainability in the African Landscape." Africa Today, 61, (1) 115–140.
Viewing Subject(s) as Creator(s): The Need to Reexamine and Redescribe Civil Rights Collections for Pluralist Provenancev. 35No. 2Midwest Archives Conference99–114
Sowry, Nathan. 2014. "Viewing Subject(s) as Creator(s): The Need to Reexamine and Redescribe Civil Rights Collections for Pluralist Provenance." Archival Issues: The Journal of the Midwest Archives Conference, 35, (2) 99–114.
Africa ReViewed:the photographic legacy of Eliot ElisofonNo. 7184–95
Staples, Amy. 2014. "Africa ReViewed:the photographic legacy of Eliot Elisofon." World of Tribal Art, XVIII-2, (71) 84–95.
African Cultural Astronomy and the Arts: A Preliminary Enquiry186-197
Kreamer, Christine Mullen. 2013. "African Cultural Astronomy and the Arts: A Preliminary Enquiry." In Analyzing Art and Aesthetics. Goodyear, Anne Collins and Weitekamp, Margaret A., editors. 186-197.
African Mosaic: 50th Anniversary Room
Milbourne, Karen E (Curator). 2013. "African Mosaic: 50th Anniversary Room." Washington, DC: Smithsonian National Museum of African Art,
The Desirable Things Made by a Man: Recent Work by Yinka Shonibare MBEv. 2044–55
Milbourne, Karen E. 2013. "The Desirable Things Made by a Man: Recent Work by Yinka Shonibare MBE." ARS Magazine, 20 44–55.
Earth Matters: Land as Material and Metaphor in the Arts of Africav. 33Duke University Press100–110
Milbourne, Karen E. 2013. "Earth Matters: Land as Material and Metaphor in the Arts of Africa." Nka: Journal of Contemporary African Art, 33 100–110.
King Lewanika's WorkshopIndiana University Press233–251
Milbourne, Karen E. 2013. "King Lewanika's Workshop." In Rethinking the Workshop in African Art. Kasfir, Sidney and Foerster, Till, editors. 233–251. Bloomington: Indiana University Press.
African Art in timeNo. 201330–32
Milbourne, Karen E. 2013. "African Art in time." The Art Papers, Jan/Feb, (2013) 30–32.
Earth Matters: Land as Material and Metaphor in the Arts of AfricaNational Museum of African Art, Smithsonian Institution;Monacelli Press320
Milbourne, Karen E. 2013. Earth Matters: Land as Material and Metaphor in the Arts of Africa. Washington, DC;New York: National Museum of African Art, Smithsonian Institution;Monacelli Press.
Earth Matters: Land as Material and Metaphor in the Arts of Africa
Milbourne, Karen E (Curator). 2013. "Earth Matters: Land as Material and Metaphor in the Arts of Africa." Washington, DC: Smithsonian National Museum of African Art, 2013-04-22 to 2014-02-23..
Views of AfricaSmithsonian National Air and Space Museum
Type: blog
Keywords: African_Art_Museum