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Showing 161-180 of about 216 results.
African Reflections" by Enid Schildkrout and Curtis M. Keimv. 24No. 314, 16, 18, 20, 22, 24
Geary, Christraud M. 1991. "African Reflections" by Enid Schildkrout and Curtis M. Keim." African Arts, 24, (3) 14, 16, 18, 20, 22, 24.
Missionary Photography: Public and Private Readingsv. 24No. 448–59
Geary, Christraud M. 1991. "Missionary Photography: Public and Private Readings." African Arts, 24, (4) 48–59.
Old Pictures, New Approaches: Researching Historical Photographsv. 24No. 436–39
Geary, Christraud M. 1991. "Old Pictures, New Approaches: Researching Historical Photographs." African Arts, 24, (4) 36–39.
The Exhibition and Conservation of African Objects: Considering the non-Tangiblev. 31No. 1American Institute for Conservation of Historic and Artistic Works3–16
Mellor, Stephen P. 1991. "The Exhibition and Conservation of African Objects: Considering the non-Tangible." Journal of the American Institute for Conservation, 31, (1) 3–16.
A Cloth of HonorNational Museum of African Art
Nicolls, Andrea. 1991. A Cloth of Honor. Washington, D.C.: National Museum of African Art.
Chokwe snuff mortarsv. 23No. 121–23
Walker, Roslyn A. 1991. "Chokwe snuff mortars." Journal of the International Chinese Snuff Bottle Society, 23, (1) 21–23.
The Ikere Palace Veranda Posts by Olowe of Isev. 24No. 177–78; 104
Walker, Roslyn A. 1991. "The Ikere Palace Veranda Posts by Olowe of Ise." African Arts, 24, (1) 77–78; 104.
Mannerbunde im Kameruner Graslandv. 1Rautenstrauch-Joest-Museum295–300, 340
Geary, Christraud M. 1990. "Mannerbunde im Kameruner Grasland." In Männer Bande, Männer Bünde : zur Rolle des Mannes in Kulturvergleich. Volger, G. and Welck, K. von, editors. 295–300, 340. Rautenstrauch-Joest-Museum. 1
Photographie als kunsthistorische QuelleTrickster113–177
Geary, Christraud M. 1990. "Photographie als kunsthistorische Quelle." In Der Sinn des Schönen: Ästhetik, Soziologie und Geschichte der afrikanischen Kunst, "Photography as Source for Art History" in The meaning of Beauty: Aesthetic, Sociology and History of African Art]. Szalay, Miklós, editor. 113–177. Trickster.
On the Savannah: Narie Pauline Thorbecke's Images from Cameroon, West Africa (1911-12)v. 49No. 2150–158
Geary, Christraud M. 1990. "On the Savannah: Narie Pauline Thorbecke's Images from Cameroon, West Africa (1911-12)." Art Journal, 49, (2) 150–158.
Impressions of the African Past: Interpreting Ethnographic Photographs from Cameroonv. 3289–315
Geary, Christraud M. 1990. "Impressions of the African Past: Interpreting Ethnographic Photographs from Cameroon." Visual Anthropology, 3 289–315.
The Challenges of Historyv. 23No. 31,6,8
Ravenhill, Philip L. 1990. "The Challenges of History." African Arts, 23, (3) 1,6,8.
Fierce or Ugly?The Israel Museum341–353
Sieber, Roy. 1990. "Fierce or Ugly?" In Art as a Means of Communication in Pre-Literate Societies. Eban, Dan, Cohen, Erik, and Danet, Brenda, editors. 341–353. The Israel Museum.
Yoruba, Nine Centuries of African Art and Thoughtv. 23No. 379–80
Walker, Roslyn A. 1990. "Yoruba, Nine Centuries of African Art and Thought." African Arts, 23, (3) 79–80.
ICONS: Ideals and Power in the Art of AfricaSmithsonian Institution Press for the National Museum of African Art
Cole, Herbert M. 1989. ICONS: Ideals and Power in the Art of Africa. Washington, D.C.: Smithsonian Institution Press for the National Museum of African Art.
Kalabari ancestral screens: levels of meaningv. 23No. 185–86
Kreamer, Christine Mullen. 1989. "Kalabari ancestral screens: levels of meaning." African Arts, 23, (1) 85–86.
Echoes of the Kalabari: sculpture by Sokari Douglas Camp. Review of exhibitionv. 23No. 186–87
Kreamer, Christine Mullen. 1989. "Echoes of the Kalabari: sculpture by Sokari Douglas Camp. Review of exhibition." African Arts, 23, (1) 86–87.
The Art of collecting African art. Exhibition reviiewv. 22No. 294–95
Kreamer, Christine Mullen. 1989. "The Art of collecting African art. Exhibition reviiew." African Arts, 22, (2) 94–95.
Wild Spirits, Strong Medicine: African Art and the WildernessThe Center for African Art with the University of Washington Press, Seattle152
Kreamer, Christine Mullen and Anderson, Martha. 1989. Wild Spirits, Strong Medicine: African Art and the Wilderness. New York: The Center for African Art with the University of Washington Press, Seattle.
Sounding Forms: African Musical InstrumentsAmerican Federation of Arts205
Kreamer, Christine Mullen and Brincard, Marie-Thérèse. 1989. Sounding Forms: African Musical Instruments. New York: American Federation of Arts.